He returned to Opera Omaha for I Capuleti e i Montecchi and assisted Roberto Abbado with Rossini’s La Cenerentola (rehearsal pianist/harpsichord continuo) at LA Opera. Walsh began the 2021-2022 season at LA Opera playing Verdi’s Il trovatore conducted by music director James Conlon. He additionally joins the music staff of San Francisco Opera for the world premiere of John Adams’ Antony and Cleopatra in celebration of the company’s centenary season. In the 2022-23 season Walsh joins the LA Opera music staff full time for productions of Puccini’s Tosca, Debussy’s Pelléas et Mélisande, and Verdi’s Otello, and as pianist and coach for the Domingo-Colburn-Stein Young Artist Program. His work has led to collaborations with renowned conductors Roberto Abbado, Joseph Colaneri, James Conlon, Gustavo Dudamel, Grant Gershon, Jane Glover, Eun Sun Kim, Speranza Scappucci, Robert Spano, and Patrick Summers. He has played for more than 40 opera productions at theaters across the United States including LA Opera, Houston Grand Opera, San Diego Opera, Opera Omaha, Utah Opera, Central City Opera, and Wolf Trap Opera. Walsh has been hailed by Opera News for his “especially solid and prominent playing” and “warmly expressive” touch. "Numerous operas, soloists, and other types of performances attended.A dynamic pianist of immense versatility, Peter Walsh brings the highest standard of pianism to his work as a recitalist, orchestral keyboardist, and assistant conductor. "The place was great a novice at the opera very little guidance from the staff, the music exelent, the performers well a novice's opinion 3/4 of the dancers seating staring back at me was awkward." And assuming no earthquake accelerates the sinking.
Which they will patch what needs to be reconstructed.
So I know they will need to renovate the areas soon to keep the buildings from a partial collapse. The ground has been sinking around the area. We are subcontracted to install and operate the shows that go through these buildings.
They are all partially run by the city of la and the county. "I work at 3 of the 4 Theatres here in downtown and have worked all 4. This only wet my palette and now I want to go back to see something as soon as I can! Highly recommend to anyone and everyone to go see a production here, it's a must!"
The seats are comfy and the employees are courteous. "Went to see the production of St Matthews Passion and what an impression it made! This is a beautiful building that has a charm only described as classic. The only problem i had is the seats, they are smaller than airplane seats and not very comfortable" Matthew's passion and ballet rolled into 1.
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